On a second thought i think i can give you some excerpts to think about before you read anything like a whole novel. I apologize for a long post but I thought i would save you some time, Pro.
Context: In a dystopian society a single person is trying to comprehend what's going on around him. In the last quote he is being electrocuted for not adhering to the regime's principle. but please see the underlying concept that I am trying to give you, which is in my opinion are the core premises under some of your reasoning...which is that there is no objectivity by default out of itself, present.
The Party said that Oceania had never been in alliance with Eurasia. He, Winston Smith, knew that Oceania had been in alliance with Eurasia as short a time as four years ago. But where did that knowledge exist? Only in his own consciousness, which in any case must soon be annihilated. And if all others accepted the lie which the Party imposed— if all records told the same tale—then the lie passed into history and became truth. ‘Who controls the past,’ ran the Party slogan, ‘controls the future: who controls the present controls the past.’ And yet the past, though of its nature alterable, never had been altered. Whatever was true now was true from everlasting to everlasting. It was quite simple. All that was needed was an unending series of victories over your own memory. ‘Reality control’, they called it: in Newspeak, ‘doublethink’....
To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in both of them, to use logic against logic, to repudiate morality while laying claim to it, to believe that democracy was impossible and that the Party was the guardian of democracy, to forget whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again: and above all, to apply the same process to the process itself. That was the ultimate subtlety: consciously to induce unconsciousness, and then, once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word ‘doublethink’ involved the use of doublethink.
The keyword here is BLACKWHITE. Like so many
Newspeak words, this word has two mutually contradictory meanings. Applied to an opponent, it means the habit of impudently claiming that black is white, in contradiction of the plain facts. Applied to a Party member, it means a loyal willingness to say that black is white when Party discipline demands this. But it means also the ability to BELIEVE that black is white, and more, to KNOW that black is white, and to forget that one has ever believed the contrary. This demands a continuous alteration of the past, made possible by the system of thought which really embraces all the rest, and which is known in Newspeak as DOUBLETHINK.
The alteration of the past is necessary for two reasons, one of which is subsidiary and, so to speak, precautionary. The subsidiary reason is that the Party member, like the proletarian, tolerates present-day conditions partly because he has no standards of comparison. He must be cut off from the past, just as he must be cut off from foreign countries, because it is necessary for him to believe that he is better off than his ancestors and that the average level of material comfort is constantly rising. But by far the more important reason for the readjustment of the past is the need to safeguard the infallibility of the Party. It is not merely that speeches, statistics, and records of every kind must be constantly brought up to date in order to show that the predictions of the Party were in all cases right. It is also that no change in doctrine or in political alignment can ever be admitted. For to change one’s mind, or even one’s policy, is a confession of weakness. If, for example, Eurasia or Eastasia (whichever it may be) is the enemy today, then
that country must always have been the enemy. And if the facts say otherwise then the facts must be altered. Thus history is continuously rewritten. This day-to-day falsification of the past, carried out by the Ministry of Truth, is as necessary to the stability of the regime as the work of repression and espionage carried out by the Ministry of Love.
The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existence, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it. It also follows that though the past is alterable, it never has been altered in any specific instance. For when it has been recreated in whatever shape is needed at the moment, then this new version IS the past, and no different past can ever have existed. This holds good even when, as often happens, the same event has to be altered out of recognition several times in the course of a year. At all times the Party is in possession of absolute truth, and clearly the absolute can never have been different from what it is now. It will be seen that the control of the past depends above all on the training of memory. To make sure that all written records agree with the orthodoxy of the moment is merely a mechanical act. But it is also necessary to REMEMBER that events happened in the desired manner. And if it is necessary to rearrange one’s memories or to tamper with written records, then it is necessary to FORGET that one
has done so. The trick of doing this can be learned like any other mental technique. It is learned by the majority of Party members, and certainly by all who are intelligent as well as orthodox. In Oldspeak it is called, quite frankly, ‘reality control’. In Newspeak it is called DOUBLETHINK, though DOUBLETHINK comprises much else as well.
DOUBLETHINK means the power of holding two contradictory beliefs in one’s mind simultaneously, and accepting both of them. The Party intellectual knows in which direction his memories must be altered; he therefore knows that he is playing tricks with reality; but by the exercise of DOUBLETHINK he also satisfies himself that reality is not violated. The process has to be conscious, or it would not be carried out with sufficient precision, but it also has to be unconscious, or it would bring with it a feeling of falsity and hence of guilt. DOUBLETHINK lies at the very heart of Ingsoc, since the essential act of the Party is to use conscious deception while retaining the firmness of purpose that goes with complete honesty. To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies—all this is indispensably necessary. Even in using the word DOUBLETHINK it is necessary to exercise DOUBLETHINK. For by using the word one admits that one is tampering with reality; by a fresh act of DOUBLETHINK one erases this knowledge; and so on indefinitely, with the lie always one
leap ahead of the truth. Ultimately it is by means of DOUBLETHINK that the Party has been able—and may, for all we know, continue to be able for thousands of years—to arrest the course of history...It need hardly be said that the subtlest practitioners of DOUBLETHINK are those who invented DOUBLETHINK and know that it is a vast system of mental cheating.
‘Another example,’ he said. ‘Some years ago you had a very serious delusion indeed. You believed that three men, three one-time Party members named Jones, Aaronson, and Rutherford—men who were executed for treachery and sabotage after making the fullest possible confession— were not guilty of the crimes they were charged with. You believed that you had seen unmistakable documentary evidence proving that their confessions were false. There was a certain photograph about which you had a hallucination. You believed that you had actually held it in your hands. It was a photograph something like this.’
An oblong slip of newspaper had appeared between O’Brien’s fingers. For perhaps five seconds it was within the angle of Winston’s vision. It was a photograph, and there was no question of its identity. It was THE photograph. It was another copy of the photograph of Jones, Aaronson,
and Rutherford at the party function in New York, which he had chanced upon eleven years ago and promptly destroyed. For only an instant it was before his eyes, then it was out of sight again. But he had seen it, unquestionably he had seen it! He made a desperate, agonizing effort to wrench the top half of his body free. It was impossible to move so much as a centimetre in any direction. For the moment he had even forgotten the dial. All he wanted was to hold the photograph in his fingers again, or at least to see it.
‘It exists!’ he cried.
‘No,’ said O’Brien.
He stepped across the room. There was a memory hole in the opposite wall. O’Brien lifted the grating. Unseen, the frail slip of paper was whirling away on the current of warm air; it was vanishing in a flash of flame. O’Brien turned away from the wall.
‘Ashes,’ he said. ‘Not even identifiable ashes. Dust. It does not exist. It never existed.’ ‘But it did exist! It does exist! It exists in memory. I remember it. You remember it.’
‘I do not remember it,’ said O’Brien.
Winston’s heart sank. That was doublethink. He had a feeling of deadly helplessness. If he could have been certain that O’Brien was lying, it would not have seemed to matter. But it was perfectly possible that O’Brien had really forgotten the photograph. And if so, then already he would have forgotten his denial of remembering it, and forgotten the act of forgetting. How could one be sure that it was simple trickery?...
’Who controls the past controls the future: who controls the present controls the past,‘‘ repeated Winston obediently.
‘’Who controls the present controls the past,‘‘ said O’Brien, nodding his head with slow approval. ‘Is it your opinion, Winston, that the past has real existence?’
Again the feeling of helplessness descended upon Winston. His eyes flitted towards the dial. He not only did not know whether ‘yes’ or ‘no’ was the answer that would save him from pain; he did not even know which answer he believed to be the true one.
O’Brien smiled faintly. ‘You are no metaphysician, Winston,’ he said. ‘Until this moment you had never considered what is meant by existence. I will put it more precisely. Does the past exist concretely, in space? Is there somewhere or other a place, a world of solid objects, where the past is still happening?’
‘No.’
‘Then where does the past exist, if at all?’
‘In records. It is written down.’
‘In records. And——?’
‘In the mind. In human memories.’
‘In memory. Very well, then. We, the Party, control all
records, and we control all memories. Then we control the past, do we not?’
‘But how can you stop people remembering things?’ cried Winston again momentarily forgetting the dial. ‘It is involuntary. It is outside oneself. How can you control memory? You have not controlled mine!’...
You believe that reality is something objective, external, existing in its own right. You also believe that the nature of reality is self-evident. When you delude yourself into thinking that you see something, you assume that everyone else sees the same thing as you. But I tell you, Winston, that reality is not external. Reality exists in the human mind, and nowhere else...
He paused for a few moments, as though to allow what
he had been saying to sink in.
‘Do you remember,’ he went on, ‘writing in your diary, ‘Freedom is the freedom to say that two plus two make four’?’
‘Yes,’ said Winston.
O’Brien held up his left hand, its back towards Winston, with the thumb hidden and the four fingers extended. ‘How many fingers am I holding up, Winston?’ ‘Four.’ ‘And if the party says that it is not four but five—then how many?’
‘Four.’
The word ended in a gasp of pain. The needle of the dial had shot up to fifty-five. The sweat had sprung out all over Winston’s body. The air tore into his lungs and issued again in deep groans which even by clenching his teeth he could not stop. O’Brien watched him, the four fingers still extended. He drew back the lever. This time the pain was only slightly eased.
‘How many fingers, Winston?’
‘Four.’
The needle went up to sixty.
‘How many fingers, Winston?’
‘Four! Four! What else can I say? Four!’
The needle must have risen again, but he did not look at
it. The heavy, stern face and the four fingers filled his vision. The fingers stood up before his eyes like pillars, enormous, blurry, and seeming to vibrate, but unmistakably four.
‘How many fingers, Winston?’
‘Four! Stop it, stop it! How can you go on? Four! Four!’
‘How many fingers, Winston?’
‘Five! Five! Five!’
‘No, Winston, that is no use. You are lying. You still think
there are four. How many fingers, please?’ ‘Four! five! Four! Anything you like. Only stop it, stop the pain!’
Abruptly he was sitting up with O’Brien’s arm round his shoulders. He had perhaps lost consciousness for a few seconds. The bonds that had held his body down were loosened. He felt very cold, he was shaking uncontrollably, his teeth were chattering, the tears were rolling down his cheeks. For a moment he clung to O’Brien like a baby, curiously comforted by the heavy arm round his shoulders. He had the feeling that O’Brien was his protector, that the pain was something that came from outside, from some other source, and that it was O’Brien who would save him from it.
‘You are a slow learner, Winston,’ said O’Brien gently. ‘How can I help it?’ he blubbered. ‘How can I help seeing what is in front of my eyes? Two and two are four.’
Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane.’
He laid Winston down on the bed. The grip of his limbs tightened again, but the pain had ebbed away and the trembling had stopped, leaving him merely weak and cold. O’Brien motioned with his head to the man in the white coat, who had stood immobile throughout the proceedings. The man in the white coat bent down and looked closely
into Winston’s eyes, felt his pulse, laid an ear against his chest, tapped here and there, then he nodded to O’Brien.
‘Again,’ said O’Brien.
The pain flowed into Winston’s body. The needle must be at seventy, seventy-five. He had shut his eyes this time. He knew that the fingers were still there, and still four. All that mattered was somehow to stay alive until the spasm was over. He had ceased to notice whether he was crying out or not. The pain lessened again. He opened his eyes. O’Brien had drawn back the lever.
‘How many fingers, Winston?’
‘Four. I suppose there are four. I would see five if I could. I am trying to see five.’
‘Which do you wish: to persuade me that you see five, or really to see them?’
‘Really to see them.’
‘Again,’ said O’Brien.
Perhaps the needle was eighty—ninety. Winston could not intermittently remember why the pain was happening. Behind his screwed-up eyelids a forest of fingers seemed to be moving in a sort of dance, weaving in and out, disappearing behind one another and reappearing again. He was trying to count them, he could not remember why. He knew only that it was impossible to count them, and that this was somehow due to the mysterious identity between five and four. The pain died down again. When he opened his eyes it was to find that he was still seeing the same thing. Innumerable fingers, like moving trees, were still streaming past in either direction, crossing and recrossing. He shut his eyes again.
‘How many fingers am I holding up, Winston?’
‘I don’t know. I don’t know. You will kill me if you do that again. Four, five, six—in all honesty I don’t know.’
‘Better,’ said O’Brien.
