Re: Shroud of Turin
Posted: Thu Jun 14, 2012 9:24 pm
NO prob DRDS God bless you also, and keep up the detective workDRDS wrote:Say Bippy, I've got another question, by any chance have you ever heard of the "Veil of Veronica"? It's apparently a head cloth with somewhat distorted image of Christ on it. I don't really know much about it since I just found out about it earlier today. Here is a link to what it looks like.
The main reason why I was wanting to ask you about it is I saw on youtube recently that some people (I guess they are atheists) are claiming that this was some sort of middle ages photo development technology that only a few people knew about. And that the same people and technology that was used to make that also helped make the shroud. Let me know what you take is on this. Thank you for your time Bippy, God bless.
DRDS, Yea I heard of the veil of Veronica. If atheists are now resorting to comparing the veil of Veronica to the shroud of turin all i have say is...... HEHEHEHEHEEEEEEEEEEEEEEEEEEEEEEeEEEEEEEEEEEEEEEEEEEEEEEE:shakehead:
Plus they arent even sure that this is the original veil of veronic . I heard that there are quite a few veils of veronica.
First of all the image on the veil has none of the unique qualities that the shroud has. It has no 3d spatial information, no xray information, its as different as night is from day. If athiests are getting this desperate they must be at the end of their rope
They must love pain and embarressment
http://www.shroud.com/pdfs/n50part1.pdf
Rome, Italy. Jesuit professor claims 'discovery' of theRome, Italy. Jesuit professor claims 'discovery' of the
VeronicaVeronica
In June Fr. Heinrich Pfeiffer, SJ, professor of Christian Art History at Rome's highly-
respected Gregorian University, held a press conference in which he claimed to have
'rediscovered' the Veil of Veronica at the Abbey of Manoppello. The story quickly
created headlines around the world.
In actuality Fr. Pfeiffer has been making the same claim for a very long while at
Shroud conferences, and it has gathered little fresh substance over the years. The
issue is a complicated one because while photographs exist of the Manoppello veil, a
transparent piece of cloth measuring 16 x 24 centimetres, and bearing a face of Jesus,
there is no photograph in the public domain of the cloth that is officially purported to
be the original Veronica, preserved in St. Peter's and which only a handful of living
individuals have ever seen at close range.
Historically it is very doubtful indeed that there ever was a woman called Veronica
who rushed forward to wipe Jesus's face as he toiled toward Calvary, as runs the
'traditional' version of the tale. The story does not appear in the gospels. No 'Veronica'
relic as such can be historically traced earlier than the 11th century. For Fr. Pfeiffer to
claim the Manoppello cloth to date back to the 1st century is therefore very poorly
founded indeed.
The more interesting question is whether the Manoppello cloth is the same as the
cloth which, whatever its origins, was regularly exhibited as the Veronica during the
Middle Ages. We know that this was kept in the old St.Peter's. Then when this
building was demolished to make way for the present edifice, the official record is
that it was moved to its present home in the Veronica chapel in St. Peter's, Rome, high
up inside one of the four great piers that support the dome of St.Peter's.
The Pfeiffer version, contradicting this, is that the Veronica disappeared during the
changeover, and that a soldier's wife, who had acquired it, sold it to a Manoppello
nobleman to get her husband out of jail. Shortly after it was bestowed upon the
Capuchin monks of Manoppello, in the Apennine Mountains, who in 1618 had it
framed in gilded walnut between two sheets of glass.
Strongly against Pfeiffer's theory is that the Manoppello face has every semblance of
having been painted by an artist in a style suggestive of the late 15th to16th centuries. It
has nothing of the Shroud's style-less, outline-less, photographic character.
Furthermore Rome's continued possession of a cloth certainly still purported to be the
original Veronica is well-documented. In the year 1617 the artistically-inclined papal
secretary Piero Strozzi made six 'facsimile' copies from this original Veronica, one of
which copies was presented to Queen Constance of Poland. This latter can still be
seen in the Schatzkammer (Treasury) of the Hofburg Palace in Vienna. It, and not the
Manoppello cloth, corresponds to the more reliable depictions of showings of the
Veronica dating from before the destruction of old St.Peter's.